Jeff is an award-winning mountain dulcimer player who is known for his smooth and expressive style. His gentle, humorous, and effective teaching style has made him a highly popular instructor at numerous mountain dulcimer workshops across the country. Although he is a multi-instrumentalist who plays many types of traditional music and who has an extensive old-time repertoire, on the mountain dulcimer Jeff has a particular fondness for waltzes, lullabies, and Celtic airs…the softer and expressive side of the dulcimer! He has been performing for more than 30 years, and his quick ear, technical abilities, and musical sensitivity have made Jeff a popular choice for playing on multiple recordings, including music from Ireland, Scotland, the Appalachian Mountains, and American folk tunes. Jeff describes himself as a musician with a day job. He lives in Chapel Hill, NC.
Joe Collins has been a folk musician and mountain dulcimer player since the late 1970s. A songwriter and vocalist, he performs with a lot of humor and some excellent dulcimer playing that brings smiles to audiences of all ages. His competition wins on the dulcimer include the 2007 National Mountain Dulcimer Championship in Winfield, Kansas. In addition to performing, Joe puts his doctorate in Adult Education and laid back teaching style to good use as an instructor at dulcimer festivals all over the country. Find out more about Joe on the web at www.jcdulcimer.com.
North Carolinian, Nancy Galambush began playing dulcimer in the 1990s when her husband, the late JC Bradshaw, asked her to learn to play an instrument he had built. Almost from the beginning, Nancy has enjoyed teaching others to play and watching them experience the joy of playing traditional music. Over the years she has learned much about teaching, taking classes from some of the best-known dulcimer instructors in the country and studying teaching at Western Carolina University’s Dulcimer U program. Perhaps her most important teachers have been her own students without musical experience; they have helped her find teaching strategies that meet their needs. Nancy’s goal for beginning students is for them to experience the excitement of finding they CAN play and are eager to learn more. With more advanced students she uses a variety of approaches, recognizing that students have differing strengths and therefore differing needs. In addition to teaching private students, Nancy has taught at dulcimer workshops across North Carolina and in Cordova, Alaska. She has a special interest in the history of the mountain dulcimer and has shared that history during her concerts and through East Carolina University’s Lifelong Learning Program. A member and coordinator of the Waterbound Dulcimers Club in Kinston, NC, and a cellist in the Pitt Community College Symphony Orchestra, Nancy plays in Flat Mountain Dulcimers with Dave and Margit Roberson, combining the sounds of the mountain dulcimer with the guitar, mandolin, and cello. Nancy lives in Snow Hill, NC.
Jon Pickow began his singing career at a very early age, appearing with his mother, Appalachian folksinger Jean Ritchie, at concerts and folk festivals throughout the country. He performed with Jean over the years until her retirement in 2009. Jon produced and performed on many of Jean’s albums, and as a producer, arranger, instrumentalist and singer, he also contributed to the late folksinger Oscar Brand’s latest CDs, live performances, and many of his radio programs. Jon currently produces Oscar Brand’s weekly radio program Folksong Festival for WNYC radio in New York (which can be heard on Saturday night streamed over WNYC.org). Jon enjoys performing and sharing the traditional music of his Kentucky mountain family, but he is equally adept with the music of other cultures and the songs from the contemporary folk repertoire. His performances include self-accompaniment on the banjo, guitar, and mountain dulcimer. Find more info about Jon at www.jonpickow.com.
Mary Greene approaches the mountain dulcimer from the multiple perspectives of a singer, player, teacher, and folklorist. She taught for nearly 20 years at the Appalachian State University Dulcimer Workshop and also at the Swannanoa Gathering and John C. Campbell Folk School. An experienced dulcimer teacher, she brings a wealth of personal experience with traditional musicians and folklife to her workshops. Mary grew up on an old-time farm in the Blue Ridge and has been learning traditional music since her childhood from shape-note and ballad singers, dulcimer players, and fiddlers. With funding from the North Carolina Arts Council and the NEA, she produced a documentary recording on North Carolina Heritage Award winner Ora Watson, a ballad singer and fiddler born in 1911. They performed together in women’s string bands and also in the Laurel Creek String Band for over 30 years. Mary facilitated the research on her neighbor and friend, ballad singer Bessie Eldreth, resulting in Patricia Sawin’s documentation of Mrs. Eldreth’s songs and stories and an ethnographic book. Most recently, Mary produced and directed a documentary film Blue Ridge Shape Notes: Singing a New Song in an Old Way. Nearly two hundred Blue Ridge shape-note singers participated in the production of this film!
Bill has been in love with the Appalachian dulcimer for well over 20 years, and is equally passionate about playing, teaching, and learning. In his performing and teaching, he seeks to focus on bringing out the dulcet qualities inherent in the dulcimer and on expanding the repertoire of music played on the instrument. Along with offering private lessons, Bill has conducted more than 90 dulcimer workshops in nine states and has taught week-long sessions at Augusta Spring Dulcimer Week and Shenandoah University. He has been a featured concert artist at several festivals and has performed at weddings, receptions, church services, museums, and private functions. Bill has written six books of dulcimer arrangements: collections of O’Carolan tunes, Irish jigs, and Iceland folk tunes; a book of challenging arrangements for the advanced player; and two collections of Shaker tunes (one co-written with Nina Zanetti). He has composed over a dozen pieces for the instrument, several of which are featured on a CD entitled The Sum of the Parts, a recording of dulcimer solos and duets performed by Bill and 2008 National Mountain Dulcimer Champion Nina Zanetti.
Wayne Seymour has been involved with folk and traditional music for over 50 years. He plays many other instruments in addition to dulcimer and has won numerous competitions in dulcimer, guitar, and folk singing throughout the Southeast, including first place at the Galax Old Fiddler’s Convention. Wayne began playing dulcimer in 1979 and has been working as a professional dulcimer player and instructor since 1984 . With an informative and entertaining teaching style much in demand, Wayne has taught at festivals and seminars throughout the East and Southeast. He has been involved in many CD projects including 5 of his own. Beyond the dulcimer world, Wayne is also a noted composer and arranger of theatre music.
Phyllis Gaskins & Jim Gaskins
Phyllis Gaskins specializes in the “Galax Noter/Drone Style Dulcimer” she learned to play over 30 years ago from Galax dulcimer player and maker Raymond Melton. This style goes back in Raymond’s family to the middle of the 1800s. Born and raised in the foothills of the Virginia Blue Ridge Mountains, Phyllis learned mountain-style singing from her grandmother and mother. She has won numerous dulcimer competitions and was recognized as a 2010-11 “Master Traditional Artist” by the Virginia Foundation for the Humanities. Since retiring from 39 years of teaching elementary school, she has focused on finishing The Galax Dulcimer Book. Check out www.virginiadulcimer.com for more about Phyllis.
Over the past 20 years Phyllis has been assisted in her workshops and performances by her husband, Jim Gaskins. Jim has been an exponent of traditional music and its history since the early 1970s. His instruments include fiddle (Celtic and Appalachian), clawhammer banjo, guitar, bodhran, mandolin, and mountain dulcimer. His mentors include the older traditional players of the Galax area, such as Luther Davis and Albert Hash, and the traditional players of Ireland and Cape Breton, such as Buddy MacMaster and John McDougall. Jim has studied the history of the tunes and has read many books and primary source materials on the various aspects of traditional music and culture. He has a strong resolve to keep all facets of traditional music alive in his playing and in workshops. He has a wealth of history and anecdotes about the music and its players, which he loves to share. Together the Gaskins were the 2013 recipients of the Highland County Fiddlers Convention “Recognition of Devotion to Old Time Music” award.
Now based in North Carolina, Ken Bloom has been a professional musician all his live and has had experience playing in a wide range of circumstances. Traditional music from this country as well as many other parts of the world has been a keen interest of Ken’s for decades. He was trained in woodwork by his father from an early age, and Ken now devotes much of his time to building bowed dulcimers as well as several other instruments. He developed the bowed dulcimers he is now building from the older traditional ones, some dating back centuries. Performing has also been a very important part of Ken’s musical life, and he has done so in several countries and at many festivals all over North America.
CRDF Director Marsha Harris lives in Morehead City, NC. She is a multi-instrumentalist (mountain and bowed dulcimers, BanJammer, fiddle, and Native American style flute) and enjoys many genres of music. Her CD, A Nice Combination, reflects the character of her music. Her teaching and music travels take her to areas in NC, GA, VA, VT, LA, AL, KY, FL, AZ, IA, TN, PA and TX. Additionally, she performs at local events, weddings and schools. She has received awards at various fiddle festivals and the NC State Fair Folk Festival. In October 2014, Marsha received the Annette Pulley Trophy from the NC Folk Festival. The award is given to an individual or group for outstanding talent, sportsmanship, audience appeal and continuing support of the Folk Festival. Marsha also calls Civil War balls at reenactments. Additional information can be found at www.marshaharrismusic.com.
Ben Seymour & Becky Cleland