Bill has been in love with the Appalachian dulcimer for well over 20 years, and is equally passionate about playing, teaching, and learning. In his performing and teaching, he seeks to focus on bringing out the dulcet qualities inherent in the dulcimer and on expanding the repertoire of music played on the instrument. Along with offering private lessons, Bill has conducted more than 90 dulcimer workshops in nine states and has taught week-long sessions at Augusta Spring Dulcimer Week and Shenandoah University. He has been a featured concert artist at several festivals and has performed at weddings, receptions, church services, museums, and private functions. Bill has written six books of dulcimer arrangements: collections of O’Carolan tunes, Irish jigs, and Iceland folk tunes; a book of challenging arrangements for the advanced player; and two collections of Shaker tunes (one co-written with Nina Zanetti). He has composed over a dozen pieces for the instrument, several of which are featured on a CD entitled The Sum of the Parts, a recording of dulcimer solos and duets performed by Bill and 2008 National Mountain Dulcimer Champion Nina Zanetti.
Neal & Coleen Walters
Singing and playing since the 1960’s, Neal and Coleen Walters live in Greencastle, PA, but grew up in Southern California. Their music has been influenced by many different artists and styles of music. Their current repertoire includes songs from the 1700’s through Gordon Lightfoot, Doc Watson, the Carter Family, ’40’s standards, and even a couple of Beatles songs. Autoharp, dulcimer and banjo are Neal’s instruments of choice, and Coleen adds bass to the mix. You’ll hear lots of harmony singing as well as some instrumentals. Along with John and Heidi Cerrigione, Neal and Coleen perform as Doofus, and over the last ten years the group has recorded four albums. Neal was a member of the Mill Run Dulcimer Band for over 20 years and recorded nine albums with them. He also edited Music Hound Folk: the Essential Album Guide to Folk Music (Visible Ink Press). In addition to their concert appearances, Neal has taught dulcimer, autoharp, banjo and guitar for nearly thirty years in and around Washington, DC, and at camps and festivals. When not traveling and making music, Neal and Coleen run Basement Studios, providing high quality studio recording and engineering in a rural and relaxed environment with beds and meals included as part of the package. The Walters’s other services include graphic design, webpage design, acoustic music for all occasions, CD transfers from your old LPs or cassettes, and private and group lessons for dulcimer, autoharp, guitar, banjo and bass.
Wayne Seymour has been involved with folk and traditional music for over 50 years. He plays many other instruments in addition to dulcimer and has won numerous competitions in dulcimer, guitar, and folk singing throughout the Southeast, including first place at the Galax Old Fiddler’s Convention. Wayne began playing dulcimer in 1979 and has been working as a professional dulcimer player and instructor since 1984 . With an informative and entertaining teaching style much in demand, Wayne has taught at festivals and seminars throughout the East and Southeast. He has been involved in many CD projects including 5 of his own. Beyond the dulcimer world, Wayne is also a noted composer and arranger of theatre music.
Ralph Lee Smith
Virginia resident Ralph Lee Smith is a leading authority on the history of the dulcimer who plays the dulcimer to accompany old and field-collected mountain songs in simple styles. He is co-author of five books of traditional Appalachian songs arranged for singing with dulcimer, including Songs and Tunes of the Wilderness Road. He is also the author of Appalachian Dulcimer Traditions, a standard history of the instrument. He has received a Lifetime Achievement Award from Western Carolina University for his research into the history of the dulcimer.
Phyllis Gaskins specializes in the “Galax Noter/Drone Style Dulcimer” she learned to play over 30 years ago from Galax dulcimer player and maker Raymond Melton. This style goes back in Raymond’s family to the middle of the 1800s. Born and raised in the foothills of the Virginia Blue Ridge Mountains, Phyllis learned mountain-style singing from her grandmother and mother. She has won numerous dulcimer competitions and was recognized as a 2010-11 “Master Traditional Artist” by the Virginia Foundation for the Humanities. Since retiring from 39 years of teaching elementary school, she has focused on finishing The Galax Dulcimer Book. Over the past 20 years Phyllis has been assisted in her workshops and performances by her husband, Jim Gaskins, an accomplished fiddler and clawhammer banjo player who specializes in old-time and Celtic music. Together they showcase the Blue Ridge tradition of playing the dulcimer with other instruments. Phyllis is a co-Director of the Crooked Road Dulcimer Festival. Check out www.virginiadulcimer.com for more about Phyllis.
A major figure in the dulcimer community since the 1970s, Madeline MacNeil has shared her artistry with audiences and aspiring students at arts centers, universities, and festivals throughout the United States. Across the Atlantic she has performed at the O’Carolan Festival in Keadue, County Roscommon, Ireland; the Glasgow Festival of the Arts in Scotland; and for the Nonsuch Dulcimer Gathering in East Norton, Leicestershire, England. For several years Maddie was a touring artist under the sponsorship of the Virginia Commission for the Arts. She is a best-selling author of mountain and hammered dulcimer books for Mel Bay Publications and has recorded numerous CDs.
Now based in North Carolina, Ken Bloom has been a professional musician all his live and has had experience playing in a wide range of circumstances. Traditional music from this country as well as many other parts of the world has been a keen interest of Ken’s for decades. He was trained in woodwork by his father from an early age, and Ken now devotes much of his time to building bowed dulcimers as well as several other instruments. He developed the bowed dulcimers he is now building from the older traditional ones, some dating back centuries. Performing has also been a very important part of Ken’s musical life, and he has done so in several countries and at many festivals all over North America.
Dave Haas lives in Charleston, WV, and has been playing the mountain dulcimer since 1990. He teaches dulcimer in both private and group settings and was the founding member of the “Almost Heaven Dulcimer Club” in Charleston. Dave loves to share the mountain dulcimer and its history with schools, churches, and civic organizations, and he has even brought the dulcimer to those in prison! A well-known instructor and performer at dulcimer festivals, Dave has taught and performed with the dulcimer in sixteen states. He is known for his gentle, fun, and enthusiastic teaching style. Dave has released seven dulcimer instructional book/CDs, four instrumental dulcimer CDs, and a popular dulcimer chord chart. Dave also enjoys teaching science as a Chemistry Professor at the University of Charleston. One of his favorite teaching activities is to sing chemistry songs (on dulcimer and guitar) with his students. In addition, Dave plays the guitar, sings, and enjoys leading music on Christian retreat experiences such as Kairos Prison Ministry, The Walk To Emmaus, Cursillo, and Teens Encounter Christ (TEC).
CRDF co-director Marsha Harris lives in Morehead City, NC. She is a multi-instrumentalist (mountain and bowed dulcimers, BanJammer, fiddle, and Native American style flute) and enjoys many genres of music. Her CD, A Nice Combination, reflects the character of her music. Her teaching and music travels take her to areas in NC, GA, VA, VT, LA, AL, KY, FL, AZ, IA, TN, PA and TX. Additionally, she performs at local events, weddings and schools. She has received awards at various fiddle festivals and the NC State Fair Folk Festival. In October 2014, Marsha received the Annette Pulley Trophy from the NC Folk Festival. The award is given to an individual or group for outstanding talent, sportsmanship, audience appeal and continuing support of the Folk Festival. Marsha also calls Civil War balls at reenactments. Additional information can be found at www.marshaharrismusic.com.
Ben Seymour & Becky Cleland